장단의 여느리듬型에 나타난 韓國音樂의 拍子構造硏究

• 영문명: Metric Structure of Korean Traditional Music by Common Rhythmic Patterns in Changdan
• 발행기관: 국립국악원
• 저자명: 이보형(Lee Bo hyung)(李輔亨)
• 간행물 정보: 『국악원논문집』제8집, 101~156쪽, 전체 56쪽
• 주제분류: 예술체육 > 음악학
• 파일형태: PDF
• 발행일자: 1996.12.31

영문 초록

In Korean traditional music, the temporal unit corresponding to a fast beat is usually written in one square of the chŏngganbo notation, while the larger temporal unit corresponding to a group of such beats is written in a column of these squares. If we refer to the temporal unit corresponding to a single square as a common beat, the larger temporal unit may be called the large beat, and each of these may be felt as a beat on a different level. Moreover, just as the common beat may be subdivided into smaller beats, the large beat may be grouped into still larger temporal units, as I have shown elsewhere. In Korean music, a certain rhythmic pattern performed at a certain tempo is called a changdan, and this is the traditional way of conceptualizing rhythm. But if we refer to the most characteristic rhythmic pattern of a certain changdan as a common rhythmic pattern, we find that one changdan may correspond to more than one common rhythmic pattern or vice versa. Thus, there is a certain irrationality in the traditional usage of Korean musicians, which fails to identify a distinct temporal unit. This study proposes a solution to this problem by treating the common rhythmic pattern, rather than the changdan, as the basic unit.

목차

Ⅰ. 머리말

Ⅱ. 여느리듬型의 리듬素 層位와 拍子

Ⅲ. 上下層位 拍의 集合構造

Ⅳ. 맺는말

Abstract