불화 속 여인들의 머리형태에 관한 고찰

• 영문명: A Study on Hair Style of Women in Buddhist Paintings
• 발행기관: 한국인체미용예술학회
• 저자명: 임수빈 김성남
• 간행물 정보: 『한국인체미용예술학회지』한국인체미용예술학회지 제15권 제1호, 199~214쪽, 전체 16쪽
• 주제분류: 예술체육 > 예술일반
• 파일형태: PDF
• 발행일자: 2014.03.30

영문 초록

There are several types of Buddhist paintings, among which the target of this study was the descriptive ones. The reasons why the Buddhist painting was chosen for the study of classical hair style were as follows: first, its temporal background is far broader than folk painting or genre paintings; second, the class layers in it is so diverse that it sometimes expresses the high-class women in it. During the Three Kingdoms Age, such an aspect can be also seen in the old tombs of Goguryeo, especially in Jangcheon No.1 and Ssangyeongchong. In tre Goryeo Age, a lot of excellent descriptive paintings were produced under royal protection. Byeonsangdo and Suwolgwaneumdo were example of these. Though the Joseon Dynasty encouraged Confucianism and suppressed Buddhism, there were many Buddhist paintings. Especially, as Joseon Buddhist paintings came to be so deeply rooted into ordinary people's lives that they were not largely constrained by the class layers, we can see not only ordinary people but also high-class women in them. Overlapping with the age of folk painting,Joseon Buddhist paintings went to their latter age, where the women were expressed more diversely than in folk paintings.

목차

Ⅰ. 서 론

Ⅱ. 이론적 배경

Ⅲ. 머리형태에 관한 고찰

Ⅳ. 결론

키워드

불화 서사적 내용 쌍영총 변상도 고전머리 자료 Buddhist painting descriptive contents Ssangyeongchong Byeonsangdo classical hair resources