학술논문
朝鮮時代 茶畵에 나타난 茶文化 硏究
이용수 201
- 영문명
- A Study On the Tea Culture with appeared in Tea Painting of Chosun Dynasty
- 발행기관
- 한국차학회
- 저자명
- 金再姙(JAE-IM KIM)
- 간행물 정보
- 『한국차학회지』제10권 제2호, 7~39쪽, 전체 33쪽
- 주제분류
- 농수해양 > 기타농수해양
- 파일형태
- 발행일자
- 2004.06.30
6,760원
구매일시로부터 72시간 이내에 다운로드 가능합니다.
이 학술논문 정보는 (주)교보문고와 각 발행기관 사이에 저작물 이용 계약이 체결된 것으로, 교보문고를 통해 제공되고 있습니다.
국문 초록
영문 초록
Tea painting in Chosun Dynasty is making the harmony between human beings and nature of idea with the style of painting that the Taoistic philosophy thought of then high official nobility and the Confucian classical scholar thought were reflected well as what the painters from painting circle drew mainly.
This tea panting are being distributed in various kinds such as landscape painting, genre painting, and folk painting etc. Then, it becomes the tea painting to be important for the history of tea cultures as the date to be able to steal a glance at then tea culture.
In this thesis, this researcher defined the drawing related to tea, that is, the drawing that tea is theme or subsidiary theme as tea painting, though it is not drinking tea or boiling tea, and studied the period thought and tea culture which change by periods by classifying the tea painting tin Chosun Dynasty into 4 periods. The summary of this thesis is as follows:
At the introduction in the chapter 1, this researcher defined the term, tea painting and clarified the range of study with the goal of study and the method of study. At the main discourse in the chapter 2, this researcher discussed the period background of tea painting in Chosun Dynasty by classifying in into 4 periods. And, in the chapter 3, so as to examine the composition analysis of tea painting, this researcher examined it centering around artists and works and arranged it with . And, this researcher explained the anonymous tea painting and the tea painting in folk paining separa tely. And, while this researcher discussed the composition and feature of tea painting, this researcher arranged them with.
Lastly, in the chapter 4, this researcher discussed the tea culture which showed in tea painting by periods. At the conclusion in the chapter 5, while this researcher emphasized the spirit world handled in tea painting and the part that tea painting occupies in the tea culture of today, this researcher hopes that this thesis may be of help to continuing the study about tea painting in the future also.
