슈만의 다성작법 학습

• 영문명: Robert Schumann's Counterpoint and Fugue Study
• 발행기관: 한국서양음악학회
• 저자명: 이미배
• 간행물 정보: 『서양음악학』제13권 제1호, 209~231쪽, 전체 23쪽
• 주제분류: 예술체육 > 음악학
• 파일형태: PDF
• 발행일자: 2010.01.30

영문 초록

Contrapuntal and fugal writings, generally ascribed to German music tradition, are very conspicuous in the most works by Robert Schumann. However, concrete process of his absorption of that tradition, mainly resulted from his pursuit of Bach, has not been seriously investigated. In this essay, I trace the detailed process of Schumann's study of counterpoint and fugue based on the primary sources, and discuss the significance of the main sources of his study: Wilhelm Marpurg's Abhandlung von der Fuge and Luigi Cherubini's Cours de contrepoint et de fuge, Furthermore, I explore both sources relation to Robert Schumann's own writings designed for teaching: Lerhbuch von Kontrapunkt and Lerhbuch vom der Fuge. Two other materials―Fugengeschichte, 1837 manuscript on fugal writing, and his personal copy of Well-Tempered Clavier preserved in Robert Schumann Haus, Zwicau, Germany―are also discussed as the sources illuminating Schumann's study on counterpoint and fugue.

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키워드

로베르트 슈만 19세기 바흐수용 푸가 대위법 Robert Schumann Bach-reception in the 19th century Fugue Counterpoint