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학술논문

明淸小說에 나타난 死後世界에 관한 연구

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영문명
A Research of the Afterlife in Ming-Qing Chinese Novels - Focus on Nao Yinsi Sima Mao Duanyu
발행기관
한국중국소설학회
저자명
宋眞榮
간행물 정보
『중국소설논총』제43집, 115~137쪽, 전체 23쪽
주제분류
인문학 > 문학
파일형태
PDF
발행일자
2014.08.30
5,560

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국문 초록

영문 초록

Prior to inception of Buddhism in China, the Chinese lacked specific conception of after life like what modern people conceive as heaven and hell. However, they believed men return to some ethereal space, thus saw the rise of underworld ideas such as Huangquan(黃泉), Youdu(幽都), Taishan(泰山) as places where souls rest. After the arrival of Buddhism, concept of afterlife with concrete retributive aspect such as the “six great divisions in the wheel of karma”, and the “idea of retributive justice”, along with “hell view” fully developed. Furthermore, to emphasize the importance of doing good in real-life, terrorizing images of hell were exaggerated. However, from the Tang and Song Dynasties to Ming and Qing Dynasties, frightening images of hell became less prominent whereas its judgmental function was emphasized. The change becomes eminent as we compare Yinsi Sima Mao Duanyu, one of Ming Period’s Sanyan(三言), to the story of Zhaotai, a typical Six Dynasties’ work regarding hell. While the story of Zhaotai is a typical story of pilgrimage to the hell that illustrates the protagonist’s ordeal through hell and his reincarnation, Nao Yinsi Sima Mao Duanyu is about a character, though taken to hell at first, recognized for his exceptional qualities and appointed the king of hell, Yama’s deputy judge. Instead of focusing on the punitive nature of hell, the author illustrates a psychological reexamination of a conflict bound by karma, thus resolving characters’ inimical relationship through reincarnation. Through such means, a religious story on hell transforms into a story fraught with humanity. Moreover, compared to Six Dynasties works that mainly dealt with death itself, Ming and Qing novels portray death as a crucial narrative function in long stories. Shenmo Xiaoshuo, due to its topic, carries a considerable number of scenes of ghost activities, and depicts the underworld(冥府) quite often. On the other hand, Shiqing Xiaoshuo, which is set in real world society, utilizes death as a means to resolve conflicts and makes use of reincarnation to deliver the idea of retributive justice.

목차

1. 들어가는 말
2. 고대 중국인들의 사후세계 인식
3. 明淸小說에 묘사된 사후세계
4. 맺음말
〈參考文獻〉
〈Abstract〉

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APA

宋眞榮. (2014).明淸小說에 나타난 死後世界에 관한 연구. 중국소설논총, 43 , 115-137

MLA

宋眞榮. "明淸小說에 나타난 死後世界에 관한 연구." 중국소설논총, 43.(2014): 115-137

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