- 영문명
- A Study on Yoon Dong-Ju’s Prose
- 발행기관
- 어문연구학회
- 저자명
- 오창은(Chang-eun, Oh)
- 간행물 정보
- 『어문연구』語文硏究 第59輯, 329~352쪽, 전체 24쪽
- 주제분류
- 어문학 > 한국어와문학
- 파일형태
- 발행일자
- 2009.03.30
5,680원
구매일시로부터 72시간 이내에 다운로드 가능합니다.
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국문 초록
영문 초록
Yoon Dong-Ju left four prose works (“Shooting the Moon”, “They Say Shooting Stars Fall”, “Flowers Bloom in the Flower Garden” and “The End and the Beginning.”) behind. There are more than four hundred literary researches on his poetry but full scale discussions on his prose have never been made. This thesis is written in order to make track for Yoon Dong-Joo’s world of consciousness in his school days at Yeonhee College and to understand his poetry more clearly through these four prose works. These four prose works written by Yoon Dong-ju were all created during his days in Yeonhee College and the poetry that is referred to as his master piece was also created in his Yeonhee College days. This study was able to grasp the changes in consciousness during the period when Yoon Dong-Ju was most sensitive through comparing his poetry with his prose.
In the “Shooting the Moon” (1938) known as his first prose, his lonely ego was described. Yoon Dong-Ju at that time made an appearance of sentimental self in sorrow that could not be solved. Accordingly, the shape of “others” did not show up apart from “I” agonizing over the realities of the colony. In “They Say Shooting Stars Fall” (1939-1940 presumed), Yoon Dong-Ju realized the realities of the colony which was the cause of his sorrow and gradually began to sense the shapes of the people suffering from the colonial rule. The darkness surrounding him in this period was perceived as not only ‘my’ darkness but also the darkness of ‘you and I’ and the darkness of the times wrapping the whole village. Such consciousness was expanded and in “Flowers Bloom in the Flower Garden” (presumed to have been written before February 25, 1941), Yoon dong-Ju found himself placed in ‘the world turbulent with the roaring of cannons.’ He also showed the attitude full of faith that “Spring will Come from Far Away.” His most noteworthy prose is “The End and the Beginning” (presumed to have been written in April ~September, 1941). In this prose, the circular sensation stands out in that ‘the ending point becomes the starting point and the starting point becomes the ending point.” Yoon Dong-Ju realized that rapid progress could be made between the end and the beginning and he found the shape of positive others like ‘laborer’ in the course of rapidly progressing consciousness.
Yoon Dong-Ju’s prose written in the period from 1938 to 1941 shows relatively clearly ‘the process of changes in the perception of realities by the main body.’ In the early stage, he showed his shape fallen into sentimental sorrow and gradually grasped the tragic realities and struggled to proceed as the main body carrying the practical will in such realities. In such a changing process, his poetry obtained the dramatic tension called ‘hope in sorrow.’ The pathos or the sentiment of shyness which appears in his poetry was the sensation obtained in ‘the strong transforming process’ of ‘the weak main body’ facing realities. At the end of the Japanese imperialism, the tragic death of Yoon Dong-Ju can signify ‘symbolic sacrifice’ derived in the course of the Joseon people confronted with Japanese imperialism right before its collapse, in view of the ‘weak but strong shape.’
목차
1. 산문 언어와 시인의 정신세계
2. 윤동주 산문과 연희전문 재학시절
4. 결론에 대신하여
참고문헌
Abstract
키워드
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