학술논문
한국 창작 무용에 있어서 타예술 접목에 관한 연구 - 총체 예술적 성격을 중심으로
이용수 30
- 영문명
- A Study on Korean Creative Dance connected with other arts(Focused on artistic charactesistics on the whole)
- 발행기관
- 경희대학교 스포츠과학연구원
- 저자명
- 이종희(Lee Jong-Hee) 김유미(Kim You-Mi)
- 간행물 정보
- 『체육학논문집』제25집, 155~172쪽, 전체 18쪽
- 주제분류
- 예술체육 > 체육
- 파일형태
- 발행일자
- 1997.12.01
4,960원
구매일시로부터 72시간 이내에 다운로드 가능합니다.
이 학술논문 정보는 (주)교보문고와 각 발행기관 사이에 저작물 이용 계약이 체결된 것으로, 교보문고를 통해 제공되고 있습니다.
국문 초록
영문 초록
The purpose of this thesis is to understand general artistic characteristics of Korean creative dance and examine literary and artistic sides of the theatrical art such as stage setting, lighting and costumes; musical and dramatic sides such as acting and production in order to escape from the lacking attempt to express resulting from our little understanding and passive attitude toward other genres of expression in present situation of dance art.
In understanding the nature of other genres of art, I examined conceptual aspects and their functions and role effects. Then I found out some problems in the works of Korean creative dance performed on the stage when connecting with other arts. The most serious problem in performed works was that they failed to show genuine wholeness despite such nice tries and only offer spectacular effects by binding various specified genres into one large framework.
Those problems appeared in connecting Korean creative dance with other arts are summarized as follows.
① All the individual genres of other arts connected with dance art were not harmonized coherently hut showed such characteristics as synthetic presentation.
② Due to the exaggerated expressions of other arts, the power of expression of physical behavioral language was limited.
③ When dance art was harmonized with other arts coherently, the creator"s artistic philosophical judgement was in want.
④ When conveyed to audience, the universal sensical system necessary in connecting dance art with other arts was lacking.
Here, based on those problems above, I would like to show the direction to which we should progress in connecting Korean creative dance with other arts.
① Creators are required to master the basic knowledge about unique expressive skills and characteristics of other genres necessary in connecting with other arts.
② In accordance with connecting with other genres of art, new dancing language suitable for new works should be developed profoundly.
③ Creators who compose Korean creative dance should do their best to have their own artistic philosophical conviction necessary in connecting with other arts.
④ They should try to develope universal sensical system characterized artistically on the whole for audience.
⑤ Speciality in connecting with other arts, diversification of the subjects, and progressive experimentalism are required.
Started with such sense of problem as above, this thesis pointed out several problems in connecting Korean creative dance with other arts and presented an absolute task to seek after a new way for the creation of dance characterized by various total-artistic quality at the threshold of 21st century.
In understanding the nature of other genres of art, I examined conceptual aspects and their functions and role effects. Then I found out some problems in the works of Korean creative dance performed on the stage when connecting with other arts. The most serious problem in performed works was that they failed to show genuine wholeness despite such nice tries and only offer spectacular effects by binding various specified genres into one large framework.
Those problems appeared in connecting Korean creative dance with other arts are summarized as follows.
① All the individual genres of other arts connected with dance art were not harmonized coherently hut showed such characteristics as synthetic presentation.
② Due to the exaggerated expressions of other arts, the power of expression of physical behavioral language was limited.
③ When dance art was harmonized with other arts coherently, the creator"s artistic philosophical judgement was in want.
④ When conveyed to audience, the universal sensical system necessary in connecting dance art with other arts was lacking.
Here, based on those problems above, I would like to show the direction to which we should progress in connecting Korean creative dance with other arts.
① Creators are required to master the basic knowledge about unique expressive skills and characteristics of other genres necessary in connecting with other arts.
② In accordance with connecting with other genres of art, new dancing language suitable for new works should be developed profoundly.
③ Creators who compose Korean creative dance should do their best to have their own artistic philosophical conviction necessary in connecting with other arts.
④ They should try to develope universal sensical system characterized artistically on the whole for audience.
⑤ Speciality in connecting with other arts, diversification of the subjects, and progressive experimentalism are required.
Started with such sense of problem as above, this thesis pointed out several problems in connecting Korean creative dance with other arts and presented an absolute task to seek after a new way for the creation of dance characterized by various total-artistic quality at the threshold of 21st century.
목차
ABSTRACT
Ⅰ. 서론
Ⅱ. 이론적 배경
Ⅲ. 연구방법
Ⅳ. 연구결과
Ⅴ. 결론 및 제언
참고문헌
Ⅰ. 서론
Ⅱ. 이론적 배경
Ⅲ. 연구방법
Ⅳ. 연구결과
Ⅴ. 결론 및 제언
참고문헌
키워드
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