문화연구에 있어 그람시 수용의 문제에 관하여

• 영문명: The Problem of Gramsci Reception in Contemporary Cultural Studies: Gramsci as Althusser’s Other
• 발행기관: 한국비평이론학회
• 저자명: 김재철(Jaecheol Kim)
• 간행물 정보: 『비평과 이론』제17권 1호, 5~24쪽, 전체 20쪽
• 주제분류: 어문학 > 영어와문학
• 파일형태: PDF
• 발행일자: 2012.06.30

영문 초록

Recently, various culturalist critics have taken issue with Althusser, and he is now widely seen as the last remnant of Marxist “economism” or even an anti-humanist who practices structural functionalism. However, on the contrary, as Althusser’s Other, Gramsci has been received as a proto-culturalist critic developing a very flexible notion of ‘hegemony,’ which is useful for theorizing cultural studies’ new research foci such as race, ethnicity, body, gender, signification and culture. In this theoretical context, the primary purpose of the present essay is to critically survey receptions of Gramsci in our contemporary cultural studies especially when “from Althusser to Gramsci” has become an imperative thesis among our contemporary cultural critics. This essay examines receptions of Gramsci by Hall, Laclau-Mouffe, and Williams, and shows that the transition “from Althusser to Gramsci” is based on reductive understandings of both thinkers. This thesis is possible only when they overlook the rich Gramscian heritage embedded in Althusser’s works, and the overall force of Gramsci’s own writings, which unmistakably indicate the theoretical, political, and practical necessity of class struggle, including but not confined to cultural struggle.

목차

Ⅰ. 서언

Ⅱ. 그람시, 글쓰기의 문제가 수용의 문제로

Ⅲ. 그람시에 관한 각주로부터 다시 읽는 「이데올로기적 국가장치들」

Ⅳ. 소결: 그람시의 역사성과 수용

인용 문헌

Abstract

키워드

그람시 알튀세르 스튜어트 홀 에르네스토 라클로 샹탈 무프 레이몬드 윌리엄스 이데올로기 헤게모니 Gramsci Althusser Stuart Hall Emesto Laclau Chantal Mouffe Raymond Williams Ideology Hegemony